Tuesday, 16 August 2016

Mohenjo Daro review: Lost in narration


This grand outing of Ashutosh Gowariker fails on an epic scale. Along with his reputation, he had the powerhouse of talents in Hrithik and AR Rehman (with very experimental, quirky music) and yet, Mohenjo Daro failed to soar at all with it’s dull storyline, out of place characters and brash overindulgences.  The director never claimed the period drama to be an accurate presentation of the past and has mostly filled the canvas with his imagination.  However, the movie failed to impress from the very outset and didn’t deliver till the very end.

Set in 2016 BC, Sarman, a village guy and the go-to person for everyone, forays into Mohenjo daro after relentlessly pursuing his uncle. The planned city seems familiar to him and soon he discovers the majestic city under the grip of a tyrant premier/ruler. He fell for the priest’s daughter  and both profess love for each other before Sarman being caught and exposed as the rebel who also protested against the rigid tax rules.  A collosium like battle followed in the arena with two lethal warriors which was one of the high points in the movie.

Sarman also comes to know about his past and the fact that he is the lineage of his father who ruled Mohenjodaro & was framed and killed by the present ruler breaks his heart.  Once justice is served and the present ruler is tied to a pole for good, Sarman and the denizens rallied together to build a bridge on the other side before the city is flooded by Sindhu.

The costume and the headgears look atrocious sometimes and the female lead didn’t have much emoting to do. Hrithik was industrious and yet he could not save the movie from sinking rock bottom.  After Jodhaa Akbar and Khelenge Ji Jaan se, Ashutosh needs to find his mojo real soon. So should Hrithik too. An average film which one can avoid.